The rest of the Billboard Film and TV Music Conference and my thoughts!


Worst picture of Death Cab ever. Billboard Cover fail!

Dear LTT-ers and music nerds,

I shared with you last week that I attended the Billboard Film and TV Music Conference and gave you all the dirty details on my brief encounter with my favorite man ever, Chris Weitz, but what else happened? I also sat in on the “Anatomy of a Soundtrack: Twilight, New Moon” panel and though I didn’t get any one-on-one time with soundtrack Music Supervisor, Alexandra Patsavas I did take copious amounts of notes, 15ish pages  in fact, so how about I break it down a bit for you? (My snark in italics for your enjoyment)

Anatomy of a Soundtrack: Twilight, New Moon

  • Making the Twilight soundtracks were easier because Stephenie is an author that already had a clear vision and sound for her books from what she provided and talked about on her website. Music is a centerpiece to her stories. They wanted the soundtrack to be a musical manifestation of the movie and Stephenie’s story
  • Chris had a clear point of view about the music he wanted in New Moon: somber
    (and appropriate for denim cut-offs and sleep number beds)
  • alexpat

    Alexandra hard at work creating the soundtrack aka reading Domward Fanfic

    Chop Shop/Alexandra began working on New Moon last December and were approached by countless bands and managers who wanted to be on the soundtrack. They picked artists who wanted to be part of the team , provide solely exclusive material and weren’t afraid to talk about the movie. It was all about cohesion and the artists they ended up choosing, in their minds, could all play a festival bill together.
    (a festival of wrist slashing music! my favorite! bandaids not included)

  • New Moon is the first movie Alex has worked on that was a sequel
  • They had what Alex called an “embarrassment of riches” when it came to options and artists to choose from for the NM Soundtrack. So many more than they could include. Almost 20 cd’s worth of material
  • Chris invited 6-7 potentials artists into the cutting room to show them cuts of the movie, spend time with the artists talking about tone and feeling from the scenes and what he was looking for musically. He took the time because he wanted the right songs. That is why everything fits so well according to Alexandra, the Atlantic VP and Paul Katz (Summit)

Read more about the Soundtrack panel including info on Remember Me AND stuff about Rob and his Music as well as more tid bits from Chris Weitz and Alexandre Desplat’s panel after the cut!

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