The rest of the Billboard Film and TV Music Conference and my thoughts!

Worst picture of Death Cab ever. Billboard Cover fail!

Dear LTT-ers and music nerds,

I shared with you last week that I attended the Billboard Film and TV Music Conference and gave you all the dirty details on my brief encounter with my favorite man ever, Chris Weitz, but what else happened? I also sat in on the “Anatomy of a Soundtrack: Twilight, New Moon” panel and though I didn’t get any one-on-one time with soundtrack Music Supervisor, Alexandra Patsavas I did take copious amounts of notes, 15ish pages  in fact, so how about I break it down a bit for you? (My snark in italics for your enjoyment)

Anatomy of a Soundtrack: Twilight, New Moon

• Making the Twilight soundtracks were easier because Stephenie is an author that already had a clear vision and sound for her books from what she provided and talked about on her website. Music is a centerpiece to her stories. They wanted the soundtrack to be a musical manifestation of the movie and Stephenie’s story

• Chris had a clear point of view about the music he wanted in New Moon: somber
  (and appropriate for denim cut-offs and sleep number beds)

• 

  Alexandra hard at work creating the soundtrack aka reading Domward Fanfic

  Chop Shop/Alexandra began working on New Moon last December and were approached by countless bands and managers who wanted to be on the soundtrack. They picked artists who wanted to be part of the team , provide solely exclusive material and weren’t afraid to talk about the movie. It was all about cohesion and the artists they ended up choosing, in their minds, could all play a festival bill together.
  (a festival of wrist slashing music! my favorite! bandaids not included)

• New Moon is the first movie Alex has worked on that was a sequel

• They had what Alex called an “embarrassment of riches” when it came to options and artists to choose from for the NM Soundtrack. So many more than they could include. Almost 20 cd’s worth of material

• Chris invited 6-7 potentials artists into the cutting room to show them cuts of the movie, spend time with the artists talking about tone and feeling from the scenes and what he was looking for musically. He took the time because he wanted the right songs. That is why everything fits so well according to Alexandra, the Atlantic VP and Paul Katz (Summit)

Read more about the Soundtrack panel including info on Remember Me AND stuff about Rob and his Music as well as more tid bits from Chris Weitz and Alexandre Desplat’s panel after the cut!
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Meeting Chris Weitz at the Billboard Film and TV Music Conference

Oh myello there Chris and Alexandre! Even this lady couldn't contain herself!

Dear LTT-ers/nmm.org-ers (that’s your new name!) and Chris Weitz fans (which should be everyone),

Today was a mindgasm, red letter day in the life of me, your faithful blogger: Moon. As both a Twilight fan, music fan and aspiring music supervisor, I was able to attend the Billboard Film and TV Music conference in Beverly Hills to cover to events for both us and our awesome super special friend and affiliate Will at NewMoonMovie.org who secured our entrance into the event. The conference featured two Twilight New Moon themed panels. One discussing the soundtrack success featuring New Moon soundtrack music supervisor Alex Patsavas, a VP from Atlantic Records and Paul Katz, music consultant and uppity up at Summit Entertainment.

The other New Moon themed panel was “A Conversation with a Director and Composer” featuring Chris Weitz and Alexandre Desplat who discussed New Moon and its score and music for a hour. Now, this was some hardcore discussion regarding the composition of the score, influences how they began the process, etc. It was NOT a panel where they discussed Robsten or anything about the actors other than what pertained to the topic of the New Moon score.

I’ll be writing a more in depth post in the next few days reviewing both panels in more depth but for today I’ll give you a quick overview of some juicy tidbits from Chris’s panel and what WE (yes WE I met the man himself talked about after the panel) chatted about. Hang on kiddies, we’ll get there but first some of what Chris and Alexandre discussed:

• There were themes (musical) created for for each character. IE one for Bella, one for Bella and Edward, one for Jacob

• To reflect the confusion in Bella’s mind after Edward leaves, at times the “Edward” and “Jacob” themes are “blurred” together to help created “subliminal confusion” in her mind

• Jacob’s “theme” features electric guitar. Alexandre used a guitar that sounded very similar to an Indian sitar and Chris jokingly reminded him that Jacob is Native (Indian) American not Indian from India

• The score will not featuring any of Carter Burwell’s score. (I’ll expound more on this decision in a later post)

• And the most important info: Chris wore a lot of olive and tan. He was in full on DILF mode with cargo pants, striped socks (i love a good sock!), some sort of olive sweater and a leather man purse. Work it Chris, WORK IT!

Ok, so here’s the part you all want to read MY CHRIS WEITZ ENCOUNTER (that didn’t take place in my dreams):
FOLLOW THE CUT (moohahahaa)
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